Modern Masterpieces
Reviewing the 100 Best Novels of the 20th Century
Reviewing the 100 Best Novels of the 20th Century
by Annette Ferran
The Magnificent Ambersons
Coming in at #100 on the Modern Library’s list is The Magnificent Ambersons, by Boothe Tarkington, an engaging story
of a midwestern American family with a supremely spoiled son. The attitude taken to this family and
this young man is through the eyes of the community in which they live. It illustrates that persistent issue of
class in American society. The
community views the family with a mix of respect and distain because of their
wealth and arrogance, which is manifested through the son. The son’s behavior
is unacceptable but allowed to pass without correction. “He’ll get his comeuppance,” the
townspeople say, chorus-like.
The novel is epic and grand, in the style of novel
writing of the time (it was published in 1918 and won the Pulitzer Prize in
1919). Similar in theme to Sister Carrie (#33 on the list), it uses
the story of George Amberson and his family to reflect the social flux at the
time. George’s family enjoys their
prestige, which is gained through inherited wealth and a “good name,” but as they
ride through life on this reputation, which is unearned, other families are building
their own prestige through work and earned wealth and influence. George, raised to expect everything and
give nothing, not even polite interaction, is oblivious to this shift and to
the portent of his fall from grace.
George is the person, recognizable in every generation, who thinks that
things will always remain the same because they are good for him and therefore
there is no reason for change.
“Comeuppance” is the theme of the book, and it is a
wonderful word. Examined too closely it comes to seem nonsensical, but in
context, it is the perfect word to attach to this young man. The community/chorus can see clearly
that the entitlement he enjoys cannot last because he doesn’t do anything to
maintain it. He is his mother’s
golden child, and whatever natural attributes he might have (if he does have
any at all) wither with time because he does not do anything to better
himself. He thinks that he is
already as good as a person can be.
We have all seen this character, in fiction and in real life, the attractive
sparkle who starts to dull in comparison to others, but who regards himself as
the only star in the sky.
The Magnificent
Ambersons is a joy to read. The impression of the enjoyment persists long
after. It was made into a movie,
with the screenplay adaptation by Orson Welles, and with himself somewhat
miscast as the George, who is much younger in the tale than Welles appears on
screen. Nevertheless, it is a compelling performance and presentation and it
aptly amplifies the fine qualities of this masterful story.
Annette Ferran
lives in Philadelphia where she works as an editor for a medical
publisher. She is also the
Associate Editor for 10,000 Tons ofBlack Ink, a Literary Writers Network publication. She has a degree of
dubious practical use, in German, and is a lifelong avid reader of fiction and
lover of lists. She has had a few short stories published, most recently in
RE:AL.